We are thankful here at J. Cart. Overanal.: thankful that a picture is worth a thousand words.
Take, exempli gratia, this still from A Charlie Brown Thanksgiving (1973 C.E.):
Two immediate items of note:
- Linus Van Pelt, acting in his customary role as spiritual leader, is sitting at the head of the table.
- Franklin, the sole African-American member of the Peanuts ensemble, is sitting all by himself on one side of the table.
Here is a passable video of the sequence, including a nightmarish Guaraldi-seasoned tête-à-tête between Snoopy and a beach chair:
The scene in question is, in fact, somewhat questionable itself: the numbers of chairs and servings fluctuate throughout, giving the meal a disorientating Kubrickian quality. This produces in the scene a sense of unease and tension which reflects the viewers’ discomfort at the casual racism on display. Indeed, Franklin is seated in the malicious beach chair, which humiliatingly places him at an eye level below that of the others.
Though this segregation is not limited to racial issues only: Marcie, though eccentric and possessing of an ambiguous sexuality, is caucasian enough to be allowed to remain close to the rest, but is still seated at the end towards the left side of the table. Linus chooses to seat Marcie as far away from himself as possible, separated from the larger group by the dog. Indeed, the beagle is deemed a more fit companion than any heterodox humans. (Though, perhaps Snoopy is allowed to sit with the elite in due respect for his cooking prowess. It is also noted that Snoopy, in an act of defiant compassion, serves Marcie and Franklin first.) Furthermore, to extrapolate, the only characters exempted which could reasonably join the table next are the obsessive-compulsive Schroeder, the filthy Pig Pen, or the unloved and sadistic Lucy, who, if arriving late, would be forced to sit in one of the chairs next to Franklin and Marcie. Thus, the entire left side of the table would be relegated to odd, unhygienic misfits and belligerent, racial outcasts.
The characters are not evil: Peppermint Patty shows genuine remorse for embarrassing and bullying Charlie Brown, and Linus is often a beacon of compassion and temperance. But the point is made: the virus of casual discrimination is insidious and unaware, and can manifest itself at an early age.
Nota bene: this troubling issue uncovered via Super Punch >Catena Ex Situ
November 25, 2008 at 12:37 pm |
[...] Marcy, and Token Minority invite themselves over for [...]
November 25, 2008 at 7:48 pm |
I find it more disturbing to watch the end when Woodstock is enjoying his (her?) turkey dinner, then breaks the wishbone with Snoopy.
November 25, 2008 at 8:31 pm |
Woodstock could be a carrion-eating species.
e.g. Lesser Yellow-headed Vulture (Cathartes burrovianus).
November 26, 2008 at 9:03 pm |
it’s been done more seriously.
http://www.womanist-musings.com/2008/11/charlie-brown-lies.html
December 24, 2008 at 12:05 am |
How is Schroeder obsessive-compulsive? He’s a little protective of his toy piano, but he doesn’t treat it like a *security blanket*. Linus is the one who has an anxiety attack every time his mom washes the blanket. (They might not have dealt with it in the animated shows, but that joke was beaten to death in the comic strips.)
Is their some reason these kids aren’t having Thanksgiving dinner with their extended families, or at least with their parents? Other than Schulz wanting a world where adults never intrude except for their muffled trumpeting.
Re: disorienting Kubrickian quality. More like the nightmarish geometry of Lovecraft.
December 24, 2008 at 8:15 pm
I think if you listen closely, you can hear the folding chair chanting “Tekeli-li! Tekeli-li!”
August 17, 2009 at 2:55 pm |
I always thought Marcie was Asian.